But after some discussion, he decided to go even more vintage, down to the colors of the sunset. The clip has the by-now-signature old VHS-tape-fuzz look that Fu has employed in his past work with The Strokes and Daft Punk. Fu was adamant that the female romantic lead balance out the French robots and Canadian/American singer, so he pushed for Japanese-American model Kiko Mizuhara to give the story a worldwide, non-national feel that makes it seem more timeless. The pastel-colored backgrounds in the film were all created using a rear-projection system with colors Fu researched in an attempt to match the palette of the “dawn of man” scene from Kubrick’s iconic 2001: A Space Odyssey film. The Weeknd & Daft Punk Perform 'Starboy'/'I Feel It Coming' Mash-Up at 2017 Grammys
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